Stuff
Jane Goldman's Books
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DreamworldWhen it comes to crime in Dreamworld, the sprawling Florida vacation resort might as well be never-never land. That's because the bad things that...Read More
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Authors on the Web
Melbourne Age, May 18, 2012
...locally for Eel Marsh House. In the novel, Kipps is not yet married. In the film, adapted by Jane Goldman, he is already widowed, his wife having succumbed in childbirth four years earlier. His son, Joseph (Misha Handley), is the only thing keeping Kipps...
Examiner.com, May 17, 2012
...much on the scares. Included on the DVD release is an audio commentary from James Watkins and screenwriter Jane Goldman, Inside the Perfect Thriller: Making The Woman in Black and No Fear: Daniel Radcliffe as Arthur Kipps. So, now the new Hammer is four...
Examiner.com, May 17, 2012
...on the 1983 novel of the same name by Susan Hill. Directed by James Watkins and written by Jane Goldman, it also stars Ciarán Hinds, Janet McTeer, Sophie Stuckey and Liz White. In this chilling tale set in the Edwardian era, Radcliffe plays Arthur...
Metromix Atlanta, May 15, 2012
...year’s epic finale in the über-successful “Harry Potter” franchise. Can director James Watkins (“Eden Lake”) and screenwriter Jane Goldman (“Kick-Ass,” “X-Men: First Class”) help Radcliffe prove he’s more than just a boy wizard?...
High-Def Digest, May 14, 2012
...Studios, which coincidentally takes producing credit in this film from 'Eden Lake' director James Watkins and 'Kick-Ass' writer Jane Goldman. Based on the horror novel of the same name by Susan Hill, it becomes quickly apparent 'The Woman in Black' is a...
Guardian.co.uk, May 14, 2012
...book writer and co-creator of Kick-Ass, which became a hit film in 2010 (with a script co-written by Jane Goldman, now one of the UK's biggest screenwriters ). Unwin, who has a background in film marketing, admits the comic book scene was something she...
MaltaToday, May 14, 2012
...era to create a world that feels creepy but also underwhelmingly familiar. There is some effort, on screenwriter Jane Goldman's part, to inject psychological anguish to go along with all the cosmetic terror. Radcliffe just about manages to pull off a...
This is Fake DIY, March 2, 2012
...cinemas 5th October. If you like this... ⇢ News: Reese Witherspoon, Ryan Reynolds For Big Eyes ⇢ News: Jane Goldman Scripting Miss Peregrine, Tim Burton Possible Director ⇢ News: First Official Look At Tim Burton’s Dark Shadows ⇢ News: Tim...
This is Fake DIY, March 2, 2012
...cinemas 5th October. If you like this... ⇢ News: Reese Witherspoon, Ryan Reynolds For Big Eyes ⇢ News: Jane Goldman Scripting Miss Peregrine, Tim Burton Possible Director ⇢ News: First Official Look At Tim Burton’s Dark Shadows ⇢ News: Tim...
This is Fake DIY, March 2, 2012
...cinemas 5th October. If you like this... ⇢ News: Reese Witherspoon, Ryan Reynolds For Big Eyes ⇢ News: Jane Goldman Scripting Miss Peregrine, Tim Burton Possible Director ⇢ News: First Official Look At Tim Burton’s Dark Shadows ⇢ News: Tim...
Taipei Times Online, March 1, 2012
...his enduring longing and grief. The story, based on a 1983 novel by Susan Hill and adapted by Jane Goldman (who had a hand in writing Kick-Ass and The Debt), weaves together a compendium of familiar themes. Arthur’s employer, who’s all but run out of...
Cinemas Online.co.uk, February 29, 2012
...adding $50m, reviving iconic horror studio Hammer's commercial and critical standing on a world scale. Adapted by Jane Goldman (screenwriter of 'Kick Ass' and wife of Jonathan Ross) from Susan Hill's chilling novel, 'The Woman in Black' is directed by...
Qatar Tribune, February 29, 2012
...his enduring longing and grief. The story, based on a 1983 novel by Susan Hill and adapted by Jane Goldman (who had a hand in writing Kick-Ass and The Debt), weaves together a compendium of familiar themes. Arthur’s employer, who’s all but run out of...
411mania.com, February 29, 2012
...in twenty years. The film was produced by Hammer and directed by James Watkins. It was adapted by Jane Goldman from the Susan Hill novel. The film has spent three weeks at #1 in the UK with a total of $23.2 million on 457 screens. The movie has...
