Author Interview

A Conversation with Tara Hyland, Author of Daughters of Fortune


1. Congratulations on your first novel! How does it feel to be published? What’s the most exciting part of writing a book?


It feels absolutely amazing to be published—it may sound like a cliché, but it’s a dream come true. There have been so many exciting parts to writing Daughters of Fortune—from finally finishing the manuscript, to that initial phone call from an interested agent; from getting a publisher, to seeing the gorgeous cover for the first time. But for me, the highlight has definitely been receiving e-mails from readers, telling me how much they loved the book. I get so much pleasure from reading, and it is lovely to be able to do the same with my own novel.

2. Before writing Daughters of Fortune you were an equity analyst. That’s a big change of direction—what made you decide to write?

I’ve always loved reading and as a child I wanted to be a writer, but it feels like one of those impossible dreams. I’ve been brought up with a strong work ethic, and I felt that I owed it to my parents to get a sensible career after they put me through University. But my dream of writing never went away, and as I approached my thirtieth birthday, I decided to give it a go in my free time. I never thought that I would be lucky enough to finally get published!

3. What was your inspiration for this story?

I originally had the idea for what would eventually become Daughters of Fortune back in January 2004. I was working away from home, which meant staying alone in a hotel for six weeks. It was a pretty miserable time, and I whiled away the evenings by losing myself in books, and that made me want to write a big, escapist novel, too. I liked the idea of writing about three sisters, born into a world of privilege, but who were all very different. I was actually going to set the book around a jewelry dynasty to begin with, as Tiffany & Co. used to be one of my clients when I worked in finance, but then another author writing in the same genre used a jewelry business, so I decided on a fashion house instead.

4. Is there one daughter that you relate to the most?

Caitlin is the easiest of the characters for me to relate to, as I’d also feel very awkward if I was thrown into a wealthy family! But despite that, Elizabeth remains my favorite character. She’s a very strong, no-nonsense person, fiercely intelligent and ambitious, who isn’t afraid to go after what she wants. At the beginning of the novel, she isn’t the most sympathetic character, and she comes across as cold and uptight, but as the story moves on she reveals a more vulnerable side. I also adore her main love interest, Cole (as a lot of my female readers do!). They’re the archetypal alpha male and female—which means that while they’re very compatible, they also clash a lot, which makes for some great misunderstandings and fireworks.


5. Your characters are quite the jet-setters, living in London, Paris, New York, Los Angeles, and even Tokyo! Have you been to all of the places in which your book is set?


I’ve been lucky enough to do a lot of travelling in my life, so I have been to most of the places that I write about. I’ve lived in or around London all of my life, and I’ve been to Paris several times, and New York twice (once on business, once for pleasure). My husband also spent a year in Tokyo back in 1997/98, and I went to visit him a couple times, so I know Japan quite well, too. The only place I haven’t been to is L.A.—but I’m an avid watcher of The Hills, so I took my inspiration from there!


6. Have you ever worked in fashion? How did you go about learning about the industry?


I’ve never worked directly in fashion, but as a financier I had a number of retail clients, and the knowledge I gained from these helped me to bring to life the Melville business and gave me ideas for what could go wrong within the company. I also read some useful books during my research, including The House of Gucci by Sara Gay Forden, which gave me a feel for the rivalries within a family-run fashion house, and How Fashion Works by Gavin Waddell, which helped with the details of Caitlin’s fashion course. And the rest was just down to general knowledge and a vivid imagination!


7. How did you decide how to end the book? Did you feel it was important for most of your characters to end up in good places? What was the motivation behind Piers’s fate?


It was important to me that, despite their differences throughout the book, Elizabeth, Caitlin and Amber pulled together at the end to save the family business. I also wanted them to all have at least a shot at a happy ending. I put the three main characters through a lot of emotional ups and downs over the course of the novel, and I think readers like to feel that after all the trauma and heartbreak they could get to a good place in their lives. As for Piers—well, he obviously plays the role of the villain, and by the end of the book he’s past redemption and exhausted the reader’s sympathy, so I think it was always important for him to get his comeuppance!


8. Early praise for Daughters of Fortune has aligned you with bestselling authors like Jackie Collins and Barbara Taylor Bradford—how does that make you feel?

Both delighted and overwhelmed! I’ve always loved both of these authors, and Jackie Collins’s Chances and Barbara Taylor Bradford’s A Woman of Substance are two of my favorite novels. I’d be happy to have even a fraction of their success (and talent!).


9. Are you working on anything new? What’s your next project?


I’m currently working on my second book, as yet untitled. It’s another big canvas, sweeping novel, but this time it’s the story of a mother and daughter. The mother is a somewhat flighty, selfish character, who abandons her daughter in exchange for fame and fortune, and the book is about the impact of her actions on them both. The action starts in the 1940s, just after the World War II, and takes in everything from the golden age of Hollywood to gangsters in sixties London and the heyday of Fleet Street. There’s also a big mystery, which starts on page one and is present throughout the book, so I’m hoping that will make it a real page-turner! It should be out in Spring 2011.

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