Stuff
Hilton Kramer's Books
Authors on the Web
CBS New York, April 26, 2012
...magazine and journal of artistic and cultural criticism, edited by Roger Kimball. It was founded in 1982 by Hilton Kramer, former art critic for The New York Times who passed away in March, and Samuel Lipman, a pianist and music critic; the name is a...
Frontpagemag.com, March 29, 2012
...The issues I perused at the Gotham Book Mart were its very first. It was edited by Hilton Kramer, the former chief art critic of the New York Times and one of the most imposing names on the New York intellectual scene of the day. Audaciously, I wrote...
New Yorker, March 28, 2012
...Abbe, a best-selling child author as a child, dies at eighty-seven. Deborah Solomon discusses her teen-age crush on Hilton Kramer. Lorna Doone in the style of Wonder Woman: classic covers of classic comics. "Perhaps the disgruntled librarians are hiding...
New York Times, March 27, 2012
...Hilton Kramer, whose clear, incisive style and combative temperament made him one of the most influential critics of his era, both at The New York Times, where he was the chief...
Frieze, February 17, 2012
...over-hasty trashings while at the same time scattering barbs about peers and elders. Some of those mentioned include Hilton Kramer (‘makes art sound as appealing as a deodorant enema’), Harold Rosenberg (‘honey-tongued blowhard’), Rosalind Krauss...
ArtNet.com, February 7, 2012
...Criticism” and the Guerrilla Girls’ “Speakeasy” remain tellingly relevant (originally published in January 1985 and March 1986, respectively). Hilton Kramer offers an insightful discussion of the “troubling. . . consequences” of “the...
Art Knowledge News, November 4, 2011
...had publicly expressed his belief that art and commerce were inextricably linked. Unlike Warhol however, Beaton was criticized—by Hilton Kramer in The New York Times—for his proximity to society’s riches. Possibly inspired by, or recognizing...
Frieze, February 17, 2012
...over-hasty trashings while at the same time scattering barbs about peers and elders. Some of those mentioned include Hilton Kramer (‘makes art sound as appealing as a deodorant enema’), Harold Rosenberg (‘honey-tongued blowhard’), Rosalind Krauss...
Individual.com, February 9, 2012
...no 'school.'... It was therefore assumed -- mistakenly -- to be not of major importance," art critic Hilton Kramer wrote in a glowing 1982 profile of Avery in New York Times magazine. "Avery is now recognized as an American master." The five works for...
Hartford Courant, February 8, 2012
...school.' … It was therefore assumed — mistakenly — to be not of major importance," art critic Hilton Kramer wrote in a glowing 1982 profile of Avery in New York Times magazine. "Avery is now recognized as an American master." The five works for...
ArtNet.com, February 7, 2012
...Criticism” and the Guerrilla Girls’ “Speakeasy” remain tellingly relevant (originally published in January 1985 and March 1986, respectively). Hilton Kramer offers an insightful discussion of the “troubling. . . consequences” of “the...
New York Times, February 2, 2012
...murals, American Scene painting and Social Realism. But first they reintroduce us to Graham (1886-1961), aptly characterized by Hilton Kramer as one of the oddest and most exotic figures in the art of our time. Who was John Graham? Before fleeing the...
New Criterion, February 1, 2012
...the accepted narrative. But Frankenthaler’s achievement as an artist does not rest on any technical innovation. As Hilton Kramer, writing in 1969, noted, the real interest of her art lies in the “quality of its expression rather than the technical...
Pajamas Media, January 30, 2012
...Times? myriad woes, : “The entire social and moral compass of the paper,” as the former Times art critic Hilton Kramer later said, was altered to conform to a liberal ethos infused with “the emancipatory ideologies of the 1960’s” and drawing no...
